Happy Days review – Beckett’s bewitching heroine buries her existential fears
Pitlochry Festival theatreIn what feels now like a premonition of the climate crisis, Siobhán Redmond is compelling as the everywoman putting on a brave face in an unforgiving landscapeSamuel Beckett’s play is always staged with a radiant brightness. It is hot enough to set a parasol alight. If, on its premiere in 1961, that resonated with audience anxieties about nuclear…
Pitlochry Festival theatreIn what feels now like a premonition of the climate crisis, Siobhán Redmond is compelling as the everywoman putting on a brave face in an unforgiving landscapeSamuel Beckett’s play is always staged with a radiant brightness. It is hot enough to set a parasol alight. If, on its premiere in 1961, that resonated with audience anxieties about nuclear…
